Ny revolutionerende Stryger klang - Anima Nova

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Ny revolutionerende Stryger klang - Anima Nova
Ny revolutionerende Stryger klang - Anima Nova
Ny revolutionerende Stryger klang - Anima Nova

Ny revolutionerende klang. Anima Nova - Carbon justerbar stemmestok

 

EN NY LYD DIMENSION

I århundreder er stemmestokken fremstillet af træ. Anima Nova er en banebrydende udvkling og fremstillet af høj carbon kvalitet, denne højdejusterbare stemmestok, har fleksible kugle og sokkel samlinger og kan bruges igen og igen. Anima Nova optimerer lyden på selv de fineste og mest værdifulde stryge instrumenter.

 

 

DEN SKJULTE SJÆL

Stemmestokken er hjertet i et stryge instrument.  Anima, sit italienske navn, er en hyldest til sin rolle som sjælen af instrumentet. Strygeinstrumenter reagerer følsomt på den mindste ændring af stemmestokken. Ved at flytte stemmestokkens position selv en brøkdel af en millimeter, ændres markant lyden af et strygeinstrument.

Anima Nova, giver nyt liv og sjæl i et strygeinstrument. Dens carbon struktur og innovative funktioner har revolutioneret stemmestok teknologien. Montering af stemmestok, kræver stor præcision og med Anima Nova, er denne opgave opfyldt til perfektion.

 

 

CARBON FORNYER TRADITION

Anima Nova er en god løsning. Behændigt konstrueret af en forbindelse af kulstof og epoxyharpiks. Dette state-of-the-art industrielle materiale er usædvanlig let, robust og næsten uopslidelig.

Anima Nova’s unikke indvendige gevind betyder, at højden kan justeres med en hundrededel af en millimeter, når stemmestokken er blevet monteret i et instrument.

Takket være dens fleksible kugle og sokkel samling.  Anima Nova tilpasser sig automatisk til alle konturer af instrumentet, samt fordeler trykket jævnt over hele området hvor der er kontakt.

Anima Nova kan nulstilles så ofte som påkrævet, uden at fjerne stemmstok  fra instrumentet. Ved brug af specialdesignede værktøjer, kan en instrumentmager justere kulfiber cylinderen til at reagere på ændringer i temperatur eller fugtighed.

Anima Nova forbedrer  instrumentets vibrationer til at være perfekt synkroniseret, åbner en helt ny akustisk dimension med rige overtoner.

Anima Nova – er en god revolution. Udviklet til fremtiden.

 

 

Montering og justering af Anima Nova stemmestok                                                              

Kræver stor ERFARING OG BØR kun udføres af en professionel instrumentmager.

Hertz Music A/S er certificeret som Anima Nova's danske samarbejdspartner. Vi udfører installation og justering af Anima Nova stemmestok samt udsteder certificat til hver enkelt instrument. shop@hertzmusic.dk  

 

Anima Nova CERTIFIKAT

En individuel registrering af målinger og justeringer

Hver Anima Nova  stemmestok, leveres med et certifikat, der skal udfyldes af vores partnere om installation og udstedt til instrumentets ejer.

Stemmestok, har en variabel skala til indstilling af nøjagtige længde. Skalaens overgange og den korrekte måde at læse den vil blive forklaret af instrumentmageren  på installationen.

De nøjagtige målinger og justeringer vil blive registreret i certifikatet, når stemmestok er monteret.

Anima Nova certifikatet  indeholder væsentlige oplysninger om instrumentet. Vi anbefaler derfor, at du opbevarer dette i instrumentkassen.

 

 

OPFINDSOMHED

Den kreative hjerne bag Anima Nova er: Pal Molnar, direktør for Music i Rastatt, Baden-Württemberg og udøvende musiker, har brugt over fem år på at udvikle Anima Nova. Hans ønske om lyd, præcision og perfektion er drevet af en ekspert viden om musik, tekniske færdigheder  og omhyggelig forskning. Det  var kulstof, der gav svaret.

Pal Molnar, Opfinder af  Anima Nova stemmestok.  Anima Nova er allerede patent-registreret i Tyskland. International patentanmeldt

(PCT, prioriteret dato: 2014/06/27).

 

 

REVIEWS


What others have to say about Anima Nova

»I am fortunate to be able to play two of the best cellos ever: A D. Montagnana of 1720 and the" Du Pré, Harrell "Stradivarius of 1673. Both are equipped with Anima Nova. Anima Nova has opened up new soundscapes in both instruments. I can even say that the new approach has improved my technique and thereby broadened my musical imagination. The sound has become more balanced. Due to the optimal tension within the instrument body, the instruments can "breathe" better, they react very well in every register and every dynamic!«

István Várdai, Cellist und Associate Lecturer at the Kronberg Academy


»I would like to thank Mr. Pal Molnar very much for the invention and production of his carbon sound post and for installing it into my cello. His predictions in regards to an enhanced sound spectrum and a more pleasant response came true. I am fully convinced!«

Prof. Michael Sanderling - Professor for violoncello at the Frankfurt University of Music and Performing Arts - Principal Conductor of the Dresden Philharmonic


»The height-adjustable carbon sound post is a great help for every musician, who would like to get to know his instrument even better in a new and optimised way. My instrument was built in 2001. All advantages of a modern instrument like the easy and fast responsiveness are preserved. Thanks to Anima Nova an unprecedented, full, classy, overtone-rich and firm sound is added. Finally a perfect solution at an affordable price.«

Máté Szücs, 1st Principal Viola, Berliner Philharmoniker


»I witnessed the enthusiasm of several musicians of one of the leading symphony orchestras in Germany caused by the fitting of the carbon sound post. I had my personal light bulb moment when the inventor installed Anima Nova in my favourite instrument, which I have been playing for 50 years. In this instrument the sound post creates a totally unimagined high-italian sound universe. It is not necessary anymore to change between solo and orchestra strings, because the sound post allows orchestra tuning with solo strings. Thank you very much, dear Mr. Molnár.«

Prof. Wolfgang Güttler, former double-bass player with the Berliner Philharmoniker, principal bass with the SWR Symphony Orchestra and currently principal bass with the Dresden Philharmonic.


»I was lucky enough to be involved in the development from the very beginning: from a simple carbon rod to the completion of a high-tech carbon sound post. My enthusiasm for this sound post has steadily increased. I am very happy to be able to use Anima Novas in my two cellos.«

Leopold Frint, Cellist from Ettlingen


»Following the success of the carbon bow, it is now time for the carbon sound post. The tension achieved using the carbon sound post’s fine adjustment mechanism inside the instrument is a brilliant development. This makes it possible for every bowed instrument to reach its optimal sound quality – both in summer and in winter. My instrument sounds better than ever.«

Wilhelm Kindich, former Cellist from the Badischen Staatskapelle orchestra Karlsruhe


»It is almost two years ago (summer 2014) since we started installing the Anima Nova sound posts into our instruments. By know we installed it into 5 instruments and tried them in various concert halls with different acoustical conditions and are consistently impressed by the results. We noticed the distinct improvement not only in the modern instruments, but also in the baroque violin and violin. Many thanks for this Mr. Molnar!«

Maria Lomonosova-Ziegler – Deputy 1st Concertmaster Baden-Baden Philharmonic

Kilian Ziegler - Viola, freelancer and instrumental instructor - Both members of the "Lomonosov-Quartet"


»After the application of the carbon sound post I am completely convinced that I can fathom the tonal character of any instrument to the maximum. The handling and the adjustments are accomplished without difficulty and should be carried out together with the owner of the instrument in order to fulfill his acoustical perception. Many thanks to Mr. Molnár for this ingenious implementation of an adjustable sound post.«

Ernst W. Fuchs, Luthier, Ravensburg


»The responsiveness of my instrument improved in all pitches through the new carbon sound post of Mr. Molnar. Especially in the lower pitches the sound gained volume. Through the ball joints the sound post automatically adjust itself to the arching of the instrument. The possibility to adjust the sound post under string tension opens completely new options for the sound control. I am also impressed by the precise workmanship and the love of detail. Thank you for this wonderful invention!«

Prof. Benedikt Hübner, 1st solo double-bass player with the Dresden Philharmonic and professor at the University of Music Dresden


»The carbon sound post noticeably improves the sound as well as the responsiveness of my instrument.«

Tobias Glöckner, deputy solo double-bass player with the Dresden Philharmonic and assistant professor at the University of Music Dresden


»Mr. Pal Molnar installed the carbon sound post he developed into my old (ca. 1860) violin. The D and G string responded a bit slow and the sound was a little boomy and dull. After the carbon sound post was installed the sound opened up promptly, the violin sounded free, a little louder and the response was immediately better. Now after 6 month the positive result is still the same. I am satisfied with the carbon sound post and strongly recommend a change to it.«

Prof. D. Stulgyte-Richter - Deputy Concert Master of the Dresden Philharmonic


»Thank you for this genius idea and the perfect technical realization and for the friendly and personal support from you and your wife. Who would have thought that such improvement of string instrument making and sound optimization are still possible nowadays!«

Olaf Kindel, double-bass player with the Dresden Philharmonic


»Lately I was able to witness how Mr. Molnar installed his new sound post in some double basses of our orchestra. Because of the material I was sceptical at the beginning. But the results were in all cases so positive that it was not difficult at all to take decisions. There were some similarities: after the implementation of the sound post all of the basses sounded more open and the sound was more sutainable. It is a great improvement that the pressure ratios can be changed under full string tension. You can hear the change immediately. Substantial improvement can be reached through the precise thread e.g. to adjust the high and low tone ranges. I had the carbon sound post also build into my personal double bass and it had the same positive effects. Congratulations to this great invention.«

Bringfried Seifert, double-bass player with the Dresden Philharmonic


»Congrats! You have achieved something special.«

Kiril Nikolow, former cellist of the Baden-Baden Philharmonic Orchestra and luthier


»I am very satisfied with the sound post. It is really a sound revolution! That it makes my double bass sound better is a wonderful bonus! I think I will also buy a sound post for my viola da gamba.«

Pär Engstrand, freelance musician and teacher from Wernigerode


»Whenever I play my cello I am happy about the new improved sonority of my instrument and the new smooth sound of my A-string. Several weeks after the installation I would like to thank you for that today.«

Helga Schleuning, cello teacher


»For three months the carbon fibre sound post has been built into my violin. Now the instrument responds a lot easier and has a considerably more resonant sound. I am very satisfied.«

Klaus Ziegler, Rastatt Chamber Orchestra


»For a long time I have been hoping for a solution, how to test different sound settings without having to order a new carved sound post every time. So finally here it is: I was convinced instantly by the sound experience and the easy adjustment possibilities of the new carbon sound post – it has not left my violin ever since!«

Harald Paul, Violinist of SWR Sinfonieorchester Baden-Baden and Freiburg


»It is wonderful with the sound posts! Anything goes! You made me addicted to practicing!«

Martin Hahn, Viola player of Badische Philharmonie Pforzheim


»I am extremely satisfied with my “new” viola. Some former difficulties have disappeared. The response got much easier, the sound speaks more freely. It is just wonderful and it is great fun to practice. After being skeptical at the beginning I am now totally excited. I experienced a concert of Mr. Hahn in Switzerland where he was playing the “Ritter Bratsche”. The effect of Anima Nova was gigantic. The sound experience was exceptional. It is hard to believe. You have to hear and experience it. Congratulations Mr. Molnar and many thanks.«

Elke Kettig, Schömberg


»The improvement of the sound of my already very good sounding 5-string bass (Björn Stoll) through the installment of the Anima Nova is significant. The bass is now much louder. The speed of attack as well as the articulation is very much enhanced. The sound is homogeneously and uniform throughout all positions. Even the H-String fits perfectly together with the rest, and it sounds phenomenal. I emphatically recommend the Anima Nova.«

Martin Schönewerk, Tübingen


»Anima Nova has two significant advantages compared to the traditional sound post: First, it offers the possibility to directly adjust the vertical dimension, thus finding the ideal tension between belly and back. Thereby, minimal changes are decisive. On the other hand, ball joints, which adjust to the particular conditions of the wood, cater for full vibration transfer. The sonic result is of striking evident nature. I can only compliment Mr. Molnar on this invention and thank him cordially. Anima Nova is the solution to an old string player’s problem.«

Frowald Eppinger, former viola player of the Frankfurt Radio Symphony


»I would like to express my lasting joy about the new sound posts in my two cellos. My cellos got a lot more overtones through the sound posts so that the vibrato can be used less. The tones are easier to locate and the intonations are therefore easier to hear. It’s simply more fun to practice and play! Previously I tried to master the instrument, now I can concentrate much more on musical creativity. This is a fundamental improvement for every string player!«

Stephan Rieckhoff, Geneva